1. Never ask an artist to sign more than three items. Asking artists to sign a stack of 15 LPs or CD covers is obnoxious to fellow fans and disrespectful to the artist who a.) wants to meet other folks and b.) doesn’t want to be exploited for your monetary gain.
2. Never show up outside a venue for a show you did not attend and ask for an autograph.
3. Never collect autographs for the sake of adding to your collection; you should admire and respect the artists that you ask to sign stuff for you.
4. Once you get your item(s) signed, thank the artist and leave his or her immediate presence, allowing other fans to have their time with the artist. If the artist wants to continue talking with you, he or she will walk over to you later.
Sunday, February 7, 2010
Mike's Aesthetic Guidelines
The following guidelines fall into two categories: those that apply to the LP and those that apply to the autograph on the LP.
The LP
1. The LP should have an attractive design and feature the artist's likeness. Records from the 50s and 60s are usually more attractive than those from later decades.
2. The LP should be in decent condition: there should be no ring wear or stickers or price tags, and the record should not be a cut-out/remainder (no cut corners, punched holes, or notched spines).
3. The LP design should be light enough in color that an autograph made with a black sharpie stands out clearly.
4. The LP should be an original pressing or at least look basically the same as the original pressing.
5. The LP design should be void of excessive lettering, which can distract attention from the autograph.
6. The LP should be a legitimate release and not a repackaging of hits.
The Autograph
1. The autograph should be bold and clear and exemplary of the artist's signature. It should not be smeared, nor written with an overly dry pen, nor written sloppily.
2. Autographs on LPs more than ten years old should ideally not include a date; a recent date on an LP that's several decades old looks out of place.
3. Personalizations are a matter of preference, but non-personalized signatures have broader appeal.
4. There should not be any mistakes (i.e., corrected letters) in the autograph.
The LP
1. The LP should have an attractive design and feature the artist's likeness. Records from the 50s and 60s are usually more attractive than those from later decades.
2. The LP should be in decent condition: there should be no ring wear or stickers or price tags, and the record should not be a cut-out/remainder (no cut corners, punched holes, or notched spines).
3. The LP design should be light enough in color that an autograph made with a black sharpie stands out clearly.
4. The LP should be an original pressing or at least look basically the same as the original pressing.
5. The LP design should be void of excessive lettering, which can distract attention from the autograph.
6. The LP should be a legitimate release and not a repackaging of hits.
The Autograph
1. The autograph should be bold and clear and exemplary of the artist's signature. It should not be smeared, nor written with an overly dry pen, nor written sloppily.
2. Autographs on LPs more than ten years old should ideally not include a date; a recent date on an LP that's several decades old looks out of place.
3. Personalizations are a matter of preference, but non-personalized signatures have broader appeal.
4. There should not be any mistakes (i.e., corrected letters) in the autograph.
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